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THE INCREDIBLE HULK - REVIEW

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Ang Lee's Hulk proving somewhat too ambitious and out-there for audiences in 2003, Marvel decided to reboot that franchise in 2008 with The Incredible Hulk . It followed Iron Man as the second film in the MCU and starred Edward Norton as Bruce Banner, a role he would not revisit. Directed by Louis Leterrier, this sort-of sequel finds Banner hiding out in Brazil after he's already been exposed to the Gamma radiation that turned him into The Hulk. He's been learning to control his rage and keeping a low profile working in a bottle factory but General Ross (William Hurt) has been hunting him down in order to harness his powers and turn him into a weapon. Liv Tyler replaces Jennifer Connelly as Bruce's love interest Betty (and Ross' daughter) but her role is sadly limited to making sad cry faces, actually crying and the odd awkward conversation. To be fair, the writing in The Incredible Hulk is mostly a little strange as it's not only poorly structured but th

ACTING MASTERCLASS: LOST IN SPACE

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A lesson in great acting courtesy of Lost In Space .

DARK CITY - REVIEW

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From director Alex Proyas comes Dark City , a modern film noir detective flick with a difference. While its story may develop in a similar way to other films in that genre, you've got a mysterious group of powerful, bald, vampire-like weirdos in there and a good bunch of bizarre twists which add a layer of surrealism to the whole thing. Dark City stars Rufus Sewell as John Murdoch, a man suspected of killing several prostitutes who finds himself on the run after waking up in a hotel room he doesn't remember. In fact, his memory is pretty much all gone so it makes finding out the truth even more tricky. William Hurt is the detective tasked with the case, Jennifer Connelly is John's concerned wife and Kiefer Sutherland is a shady doctor who appears to know more than he claims. As a piece of neo-noir, Dark City is pretty fascinating as it, about halfway through, defies your expectations and goes in a direction you wouldn't expect. As the plot moves towards more of a