TheRetroCritic

It must be impossible to be a Vincent Price fan and not completely adore this nutty little movie about a mad mask-wearing doctor who plots an elaborate series of revenge murders against the group of doctors who failed to save his wife after a tragic accident. The Abominable Dr Phibes is super kitsch and pretty surreal making it feel more like some sort of macabre psychedelic painting than a straight-up horror film. There are a lot of ideas in there and really they shouldn't work together but somehow they do. On one side you've got Phibes, a completely gothic creation akin to the likes of The Phantom Of The Opera, on the other you've got English cops straight out of an Ealing comedy and in the middle a bunch of weird doctors, each of them looking like they belong to another type of film altogether. Like a Sherlock Holmes mystery or a Columbo episode. Hell, even Terry Thomas pops up out of the blue in an oddly seedy cameo! Terry Thomas lol Basically the joy of this m

Fright Night was certainly a rarity: a vampire comedy that actually works both as a vamp flick and as a horror movie satire. The film had an irresistible charm with its cool 80's score, its turtle neck-wearing villain and its genius Peter Cushing/Hammer homage. This sequel takes the same formula and introduces new dastardly vampires to add to the mix. It's years later, Charlie (William Ragsdale again) has undergone a lot of therapy and has accepted that everything that happened in the first film had been the result of group hypnosis and never actually happened. Peter Vincent (the ever-reliable Roddy McDowall), however, still remembers the truth of the events that unfolded but being the only one who believes that reality, it's hurting his work to say the least. Basically, the first half of the film is nothing but build-up to resuming the status quo of the first movie: Charlie being a douche to his girlfriend, Peter Vincent losing his job, vampires orgy-biting victims

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