TheRetroCritic

Ah Kill Bill, I remember seeing Quentin Tarantino's 4th film at the cinema and having THE best time. This was like watching a compilation of badass revenge movies from the 70's all put together into a fresh, new, exciting, unique package. I hadn't seen anything quite like it and it blew me away. Uma Thurman gives a career-best performance as The Bride, a woman betrayed by her own buddies, namely the "Deadly Viper Assassination Squad" and its leader only known to us as "Bill", and left for dead. But a gunshot to the head just wasn't enough to keep her down and super-Uma is soon back and ready to kick ass. We follow her journey from when she wakes up from a long coma to her confrontation with Lucy Liu's O-Ren Ishii. It's typical revenge movie stuff and it all builds up to a thrilling final fight where the as-yet-unnamed Bride takes on The Crazy 88, easily one of the most useless gangs in movie history. By the end you're so into the Luc

It really takes a genius to undo all the work that went into making Batman more than just a hilarious joke. But it takes A GOD to bring an evolved franchise back 30 years in the space of one movie. Now I have nothing against the old campy Adam West TV series but they really were the last word on that type of spoof/comedy take on the character. With Tim Burton's darker, edgier efforts it looked like we were finally getting to know the comic-book hero... That is, until we realised that this was the type of guy who carried around Bat credit cards and had ice-skates built into his shoes in the event that an impromptu ice ballet might break out. Yes, Joel Schumacher, who had done rather well with the admittedly silly but completely entertaining Batman Forever , just couldn't resist the urge to Adam West the franchise to the max. The result was, fair enough, pretty darn funny but at what cost? Joke or not, Batman & Robin is one astonishingly dire effort on every conc