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1941 - REVIEW

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Following the runaway success of both Jaws and Close Encounters Of The Third Kind , Steven Spielberg directed war-themed comedy 1941 back in 1979 and, although it wasn't technically a box-office bomb, it wasn't exactly a hit and it's only years later that it gained a cult following. The film is very loosely based on a mix of real yet mostly disconnected events as it explores the growing paranoia post-Pearl Harbor with US citizens fearing that Japan would attempt another attack and dealing with it in various ways. As an enemy submarine slowly tries to make its way to Los Angeles with the unlikely goal of destroying Hollywood, chaos builds in the city and we follow a variety of characters, each of them doing their own thing, with everything culminating in a cartoonish battle around Santa Monica pier. This is very much an ensemble piece in the vein of Dr Strangelove or American Graffiti with some characters having a very clear goal and others just kind of wandering i

PEARL HARBOR - REVIEW

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Oh boy, where to start... Ok, basic structure of the film: Act I - Everyone's Happy, Act II - Everything Blows Up, Act III - Everyone's Sad. This is literally it guys, if you're expecting anything deeper or more complex than that...then you obviously don't know who's directing this masterpiece of patriotic, macho cheese. Michael Bay's film actually taught me many things about the war: apparently all women were sexy, retarded nurses back then, all black men were cooks and Franklin D Roosevelt had no less than four chins. Yes, this is one history lesson I'll never forget. Every cliché in the book is thrown at us full throttle as every shot sports a giant American flag, every line is peppered with Parmesan and people walk in slo-mo whenever things get dramatic (read: all the time). Historical inaccuracies aside, at the heart of the film is a love triangle so irrelevant and predictable that it makes you wonder how the script could have possibly been more