TheRetroCritic

The problem with sequel/reboots (sequoots, if you will) is that you never know what you're going to get but, most likely, you're not getting the good stuff. And just when you're getting sick and tired of those reboots (and sequoots), obviously a great one comes along to make you rethink the validity of the whole thing. Yes, Mad Max: Fury Road is pretty awesome. With Tom Hardy taking over the role of Max Rockatansky, a role which put Mel Gibson on the map back in the day, George Miller returning to directing duties and a killer trailer promising great things, this looked set to be a good time, at the very least. Then again, the Conan The Barbarian remake had a cool trailer too so it could have all gone pear-shaped very quickly. Thankfully, Miller's insistence that all the cars in the film would have to be built for real along with often stunning cinematography by John Seale, a great cast and some brilliant character design means that Mad Max: Fury Road is, in fa

With the box-office proving repeatedly that 3D fantasy films do very well financially these days, it's no surprise that, following the successes of both Alice In Wonderland and Oz: The Great And Powerful , yet another contender would come along and attempt to do just as well. Which brings us to: Jack The Giant Slayer . Directed by Bryan Singer, the film merges Jack And The Beanstalk with Jack The Giant Killer to tell a story in as traditional a way as possible without having to resort to that recently in vogue steampunky Hansel And Gretel: Witch Hunters -style Hammer horror vibe. The film actually opens on our two main characters as kids in their respective beds, one is poor, one is a princess, being told fairy-tales involving giants and a world in between Heaven and Earth. Then the film stumbles around for a while feeling like a mix between a flat episode of Blackadder and an ugly, live-action retelling of Disney's Aladdin . Seriously: this movie's Aladdin.