MARNIE - REVIEW
Alfred Hitchcock decided to torture Tippi Hedren again soon after The Birds with this little psychological thriller from 1964 also starring Sean Connery. The film sees Hedren play Marnie , a thief who changes her identity for every heist. When she is finally caught by Connery's suave publishing company owner, the film takes a weird turn as he decides to tackle her deeply rooted psychological problems himself and help her resolve them. Armed with a brilliantly erratic score by maestro Bernard Herrmann, Alfred Hitchcock puts these two characters, who could not be more different, together and lets us sit there uncomfortably as both of them reveal darker, somewhat unsettling sides to themselves. Hedren is at her best here, displaying a nervous bitterness which comes out in short, yet significant bursts. Meanwhile, Connery oozes with charisma but, throughout the film, his character reveals something of a controlling, fetishist side to him as he literally forces Marnie into marryin