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NEVER SAY NEVER AGAIN - REVIEW

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Awesome poster, right? Yeah well don't get your hopes up, people, this is Never Say Never Again , the 1983 "remake" of Thunderball directed by Irvin " Empire Strikes Back " Kershner and starring an aging Sean Connery in his last outing as 007. Being an unofficial Bond flick, get ready for some unofficial Bond assness. For starters, Sean Connery not only looks waaaay too old for the part but he is barely trying giving a near-catatonic performance throughout. He also has THE worst wardrobe spending most of his time in pyjamas, bad cream-coloured suits or bath robes. Remember David Niven in the old Casino Royale ? Frighteningly, he made a more convincing Bond in that movie than... Bond himself! Next to Connery's performance in this, Harrison Ford in Kingdom Of The Crystal Skull looked like a fresh-faced newborn. From the offset, you know you're in for something thoroughly unimpressive. The theme song is about as exciting as a lullaby and the unin

THE ARTIST: ART IMITATED - ARTICLE

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Hitchcock blonde Kim Novak’s now famous (or infamous?) expression of displeasure for The Artist ’s use of Bernard Herrmann’s classic Vertigo score may have caused a mini web-quake but how derivative is Michel Hazanavicius’ film, really? And how does that work to the film’s advantage and disadvantage? Looking at the director’s other Jean Dujardin-starring films: namely the OSS 117 duo ( Cairo Nest Of Spies and Lost In Rio ), it’s obvious the man already had a love for aged Hollywood genre movies. OSS 117 channelling the James Bond franchise and 60’s spy capers perfectly. What elevated the films from being pure carbon-copy homages to great comedies, though, really was how its main star stood out from that world. This is a guy who may very well be as misogynistic and insensitive as early Bond himself but for him specifically it’s simply impossible to hide his clueless, bigoted views making him stick out like a sore thumb from an environment seemingly so stylish, clean and perfect (on

BATMAN - REVIEW

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After the catoonish lunacy of the Adam West 60's TV series which had the Dark Knight dancing, surfing, running to crime scenes ON FOOT and stroking his chin repeatedly speaking bat-nonsense and adding the word "bat" before any device, it was definitely time for something a little more, shall we say, edgy? Not that the old series weren't fun: they were great! But as far as comic book heroes go, this one had more potential than the West series could ever produce. So who better to bring out the gothic weirdness and quirky theatrics of The Bat than Beetlejuice maestro Tim Burton? Michael Keaton is the troubled caped crusader, an unlikely choice but one which proved to be surprisingly spot-on: he brings humour and likeability to a character which could easily be bland and "one-note". Of course, the real scene-stealer here is Jack Nicholson's devilish joker who prides himself on being the world's first "homicidal artist" by trashing a museu