TheRetroCritic

It has been a while since a film has sparked so many discussions. Inception, whether you liked it or not, most probably already got you to debate about a million ridiculous dream-within-a-dream scenarios. With a film this rich, this dense, there's certainly a lot to ponder. Philip K Dick meets  The Matrix  in one of the biggest concept movies ever in which a team of dream...thieves pull their resources to try something different for one last big job and attempt to implant an idea into some guy's head. We are then thrown into multiple layers of dreaming as Tommy from  3rd Rock From the Sun  flies around a hotel room, Di Caprio gets hit by a train in a city street and Marion Cotillard goes psycho. This is all great stuff! Great action, impressive special effects, very good cast, a complex and gripping sci-fi story...what more could a sci-fi nerd such as myself ask for? And yet there is something a tad underwhelming about Inception, a film which, in its trailers, promised the

It seems Woody Allen films these days either hit or miss with the critics. It's like it all depends on how good the holiday was with sunny Vicky Cristina Barcelona doing surprisingly well despite its lack of any lasting impact or depth. But Cassandra's Dream and its dreary London gloom? No thanks. Now comes Woody Allen's Paris holiday which starts off as an obvious love letter to the famously (read: cliched-ly) romantic city (minus the homeless) but which soon takes a welcome sci-fi turn almost elevating itself to Purple Rose Of Cairo -style surrealism. Sadly the film refuses to go any deeper than its key message making it more of a cute little idea than a heartbreaking, moving, important story. It's a welcome return to thinking-outside-the-box type films like Scoop in which the afterlife made an appearance. Here, spending midnight in Paris can literally transport you back to a simpler time: the 1920's. Where Ernest Hemingway, the Fitzgeralds and Picasso a

It has been a while since a film has sparked so many discussions. Inception, whether you liked it or not, most probably already got you to debate about a million ridiculous dream-within-a-dream scenarios. With a film this rich, this dense, there's certainly a lot to ponder. Philip K Dick meets The Matrix in one of the biggest concept movies ever in which a team of dream...thieves pull their resources to try something different for one last big job and attempt to implant an idea into some guy's head. We are then thrown into multiple layers of dreaming as Tommy from 3rd Rock From the Sun flies around a hotel room, Di Caprio gets hit by a train in a city street and Marion Cotillard goes psycho. This is all great stuff! Great action, impressive special effects, very good cast, a complex and gripping sci-fi story...what more could a sci-fi nerd such as myself ask for? And yet there is something a tad underwhelming about Inception, a film which, in its trailers, promised the a