TheRetroCritic

Remember when the harshest subject Quentin Tarantino ever tackled was ear-slicing? Well, that time is long gone and after scalping nazis in (pretend) WWII flick Inglourious Basterds , QT now takes on slavery! And you know what? The glourious basterd has done it again. Django Unchained takes the 70's spaghetti western, the blaxploitation genre, adds that fresh Basterds-style raw brutality, QT's trademark razor-sharp, dark-as-night sense of humour to make a thrilling and unique Southern (as opposed to a Western) full of everything you'd expect from a rough-edged QT effort. This time, however, it isn't a revenge mission we're undertaking or even the mindless extermination of bad guys but rather a rescue with some bounty hunting along the way. Which is not to say Django Unchained plays it safe or isn't violent, FAR from it, it just means that at its core, the film is something of a fairy tale with the love story driving the plot fighting to survive among

Looks badass you guys, can't wait :)

Here's the first proper look at Quentin Tarantino's upcoming western Django Unchained starring Leonardo DiCaprio, Jamie Foxx and Christoph Waltz.

Heyyyyy, new poster for Quentin Tarantino's latest Django Unchained ! It's minimalistic and pretty great.

Ok people. Brace yourselves. You might want to be sitting down for this. Here goes. *exhales* Paul W.S. Anderson's The Three Musketeers is nothing like Alexandre Dumas' original novel. THERE. I said it. Oh sure you've got the main plot points intact: Milady rock-sliding under an Indiana Jones booby trap, The Duke Of Buckingham's evil flying boats, razor beams... Wait... Here's the deal: I have nothing against an over-the-top version of the musketeers, I still have my Gene Kelly 1948 version and I'm happy with that one. Steampunk Three Musketeers? Why the fuck not? Everything else exists. BUT... (and this is a big BUT) Make it good. I'll admit a lot of this Three Musketeers made me laugh. The film bears that special kind of stupidity that's just about silly enough to be funny. Take the very last shot of the film (which opens the path for a sequel btw): CUT TO: Boats. (Tilt up to the sky to reveal...) Boats. CUT TO: BLACK Wow. Something

Edward from Twilight , that nazi from Inglourious Basterds and Legally Blonde walk into a circus... Sounds like a joke, right? Well now it's a film. With a title like that and Trapeze -style melodramatic visuals, I have to say I expected something pretty hilarious and in all fairness this wasn't big or fun enough to be hilarious, only amusingly idiotic I'm afraid. Still, there's loads to enjoy here! You've got Christoph Waltz who excels once again as a demented villain with a genial way of playing with people's emotions. One second he's a giddy, loveable weirdo, the next he'ssingle-handedly beating up an elephant (a strangely Polish and peaceful elephant at that). He's, in a word: mad. Which is great! If only everyone else had put in some heart and effort into their roles we could have had something half decent here. A less vampiric Robert Pattinson once again delivers what, at first, seems like a dark, brooding performance but soon enou