TheRetroCritic

Review available on the new website .

Critically acclaimed and comfortably ruling the top of the box-office, it looks like nothing can stop Pixar's Coco from becoming another significant hit for Disney, not even sticking a vastly unpopular Frozen  20 minute short at the front of it. Coco is the story of 12 year-old Miguel who dreams of becoming a musician like his idol Ernesto De La Cruz except his family has firmly been anti-music for generations so when they destroy his home-made guitar and forbid him to follow that path, he runs away to prove himself by playing music during the Día De Muertos festival. As he attempts to steal the long-dead De La Cruz's guitar in a cemetery, he is somehow transported to the Land Of The Dead where he learns that he'll need to get his family's blessing in order to come back to the land of the living. Revealing any more than that would be cruel so let's leave it at that story-wise. There's something familiar about Coco from the musical skeletons ( Corpse Bride

Following  Ratatouille , Pixar tackled the science-fiction genre with WALL-E , the story of a big-eyed little robot stuck all by himself in the middle of a post-apocalyptic Earth until he meets an unexpected visitor. This was Pixar's boldest concept since Toy Story as a good portion of the film is basically silent save for music and sound effects. The human characters don't show up until much later and when they do, they never steal the focus from WALL-E or his modern robot love interest EVE who is sent to Earth, we soon find out, to look for any source of vegetation. The world the film depicts is one overcome by garbage due to the environment having crumbled under the weight of industry and commercialism. Incidentally, the weakest aspect of WALL-E is probably its environmental message, which isn't exactly subtle, but it is admittedly done quite well in that it gives the characters something to fight for and presents a uniquely comfortable yet lazy and ultimately grim